Books published by publisher Tantor Media Inc

The Prince has long been both praised and reviled for its message of moral relativism and political expediency. Although a large part is devoted to the mechanics of gaining and staying in power, Machiavelli's end purpose is to maintain a just and stabile government. He is not ambiguous in stating his belief that committing a small cruelty to avert a larger is not only justifiable, but required of a just ruler. Machiavelli gives a vivid portrayal of his world in the chaos and tumult of early 16th century Florence, Italy and greater Europe. He uses both his contemporary political situation, and that of the classical period to illustrate his precepts of statecraft.

Sister Carrie, Dreiser's great first novel, transformed the conventional "fallen woman" story into a bold and truly innovative piece of fiction when it appeared in 1900. Naive young Caroline Meeber, a small-town girl seduced by the lure of the modern city, becomes the mistress of a traveling salesman and then of a saloon manager who elopes with her to New York. Both its subject matter and Dreiser's unsparing, nonjudgmental approach made Sister Carrie a controversial book in its time, and the work retains the power to shock readers today.

Set in 1919, young couple Tommy Beresford and Tuppence Cowley form a partnership, hiring themselves out as "young adventurers". Their first case, however, is more of an adventure than they expect - working to find secret documents that, if they were known to the general public, would fuel a communist revolution in Britain. They know that Jane Finn had the documents when she disappeared five years ago. What they don't know is that a killer is targeting a sinister older woman because she knows all about Jane. Soon Tommy and Tuppence are in grave danger.

“...since the father died, when Phronsie was a baby, Mrs. Pepper had had hard work to scrape together money enough to put bread into her children's mouths, and to pay the rent of the little brown house. But she had met life too bravely to be beaten down now. So with a stout heart and a cheery face, she had worked away day after day at making coats, and tailoring and mending of all descriptions; and she had seen with pride that couldn't be concealed, her noisy, happy brood growing up around her, and filling her heart with comfort, and making the little brown house fairly ring with jollity and fun.” -- Excerpt Life is tough for the Little Peppers, but they always handle their difficulties with great courage and cheer. They want, so badly, a good life for their mother. When the Peppers meet a wealthy gentleman and his young son it appears that their prayers have been answered -- but things aren't that simple.

A fourth floor room, a door locked with the key inside -- no way in, no way out. Edgar Alan Poe is the true grandfather of the murder mystery. Decades before Sherlock Holmes and Hercule Poirot, Poe gave us C. Auguste Dupin, a man able to solve mysteries through observation and deduction. This is fiction noir in the true sense, set in the dark back streets of 1840s Paris. The juxtaposition of Dupin's clear logic, and the insanity of the outside world make this a psychological thriller of the first rank.

As a satire, Flatland offers pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions; in a foreword to one of the many publications of the novella, noted science writer Isaac Asimov described Flatland as “the best introduction one can find into the manner of perceiving dimensions.” As such, the novella is still popular amongst mathematics, physics, and computer science students. The story is about a two-dimensional world referred to as Flatland. All existence is limited to length and breadth in Flatland, its inhabitants unable even to imagine a third dimension. The amiable narrator, A Square, provides an overview of this fantastic world---its physics and metaphysics, its history, customs, and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to Spaceland, a land of three dimensions, his worldview is forever shattered.

“My mother and I were separated when I was but an infant -- before I knew her as my mother. It is a common custom, in the part of Maryland from which I ran away, to part children from their mothers at a very early age. Frequently, before the child has reached its twelfth month, its mother is taken from it, and hired out on some farm a considerable distance off, and the child is placed under the care of an old woman, too old for field labor. For what this separation is done, I do not know, unless it be to hinder the development of the child's affection toward its mother, and to blunt and destroy the natural affection of the mother for the child. This is the inevitable result.” -- Excerpt Douglass spent his first 20 years in slavery before escaping north. As a slave he experienced both the kindness of his master's wife, who taught him to read, as well as the cruelty of sadistic overseers. This powerful story helped recruit many to the abolitionist cause.

A fast-paced narrative history of the coups, revolutions, and invasions by which the United States has toppled fourteen foreign governments-not always to its own benefit."Regime change" did not begin with the administration of George W. Bush, but has been an integral part of U.S. foreign policy for more than one hundred years. Starting with the overthrow of the Hawaiian monarchy in 1893 and continuing through the Spanish-American War and the Cold War and into our own time, the United States has not hesitated to overthrow governments that stood in the way of its political and economic goals. The invasion of Iraq in 2003 is the latest, though perhaps not the last, example of the dangers inherent in these operations.In Overthrow, Stephen Kinzer tells the stories of the audacious politicians, spies, military commanders, and business executives who took it upon themselves to depose monarchs, presidents, and prime ministers. He also shows that the U.S. government has often pursued these operations without understanding the countries involved; as a result, many of them have had disastrous long-term consequences.

They were America's Team-the high-priced, high-glamour, high-flying Dallas Cowboys of the 1990s, who won three Super Bowls and made as many headlines off the field as on it. Led by Emmitt Smith, the charismatic Deion "Prime Time" Sanders, and Hall of Famers Troy Aikman and Michael Irvin, the Cowboys rank among the greatest of all NFL dynasties.In similar fashion to his New York Times bestseller The Bad Guys Won! about the 1986 New York Mets, in Boys Will Be Boys, award-winning writer Jeff Pearlman chronicles the outrageous antics and dazzling talent of a team fueled by ego, sex, drugs-and unrivaled greatness. Rising from the ashes of a 1–15 season in 1989 to capture three Super Bowl trophies in four years, the Dallas Cowboys were guided by a swashbuckling, skirt-chasing, power-hungry owner, Jerry Jones, and his two eccentric, hard-living coaches, Jimmy Johnson and Barry Switzer. Together the three built a juggernaut that America loved and loathed.But for a team that was so dominant on Sundays, the Cowboys were often a dysfunctional circus the rest of the week. Irvin, nicknamed "The Playmaker," battled dual addictions to drugs and women. Charles Haley, the defensive colossus, presided over the team's infamous "White House," where the parties lasted late into the night and a steady stream of long-legged groupies came and went. And then there were Smith and Sanders, whose Texas-sized egos were eclipsed only by their record-breaking on-field performances.With an unforgettable cast of characters and a narrative as hard-hitting and fast-paced as the team itself, Boys Will Be Boys immortalizes the most beloved-and despised-dynasty in NFL history.

Discover magazine recently called Richard Dawkins "Darwin's Rottweiler" for his fierce and effective defense of evolution.Prospect magazine voted him among the top three public intellectuals in the world (along with Umberto Eco and Noam Chomsky). Now Dawkins turns his considerable intellect on religion, denouncing its faulty logic and the suffering it causes.He critiques God in all his forms, from the sex-obsessed tyrant of the Old Testament to the more benign (but still illogical) Celestial Watchmaker favored by some Enlightenment thinkers. He eviscerates the major arguments for religion and demonstrates the supreme improbability of a supreme being. He shows how religion fuels war, foments bigotry, and abuses children, buttressing his points with historical and contemporary evidence. In so doing, he makes a compelling case that belief in God is not just irrational, but potentially deadly.Dawkins has fashioned an impassioned, rigorous rebuttal to religion, to be embraced by anyone who sputters at the inconsistencies and cruelties that riddle the Bible, bristles at the inanity of "intelligent design," or agonizes over fundamentalism in the Middle East-or Middle America.